Archive for the ‘design’ Category

iceberg inspiration

Thinking about the upcoming project using thermachromic ink, I have been looking to icebergs for inspiration. I plan to print images of icebergs onto t-shirts using the ink, which will then disappear once the shirts heats up to the wearer’s body temperature. I was thinking about how to use the ink in a meaningful way, and how to connect the idea of human body temperature to an image of something that disappears. I have already been working with icebergs for a side project involving jewelry, so the inspiration was already at the front of my mind. My hope is that the shirt could serve as a daily reminder as it is pulled from the cold drawer or shelf and the user’s own body temperature causes the image to disappear.

I found some interesting work from other artists and designers also hoping to instill reminders in others:

This eraser called Meltaine by Skeet Wang via Yanko Design gets smaller and dirtier, diminishing with use to remind us that dirty snow is a contributer to global warming. I’m not sure the user would actually connect the idea while using the eraser, but I am intrigued by the concept all the same.

The Global Warming rug contrasts the comfort and softness of a rug with a thorny problem that is specific to our time. Following the age-old tradition of using rugs as a means for communication and a cultural record, NEL is portraying global warming in a scene that invites us to reflect on our impact on today’s world.

At least that’s the intent.

This hot tub from the Pancea Project also addresses icebergs and global warming through design.

Pancea is an expandable and travelling artwork currently being developed by Michael Pinsky, Zoë Walker & Neil Bromwich to function as a universal formula to cure social, economical and political problems. Pinsky, Walker & Bromwich search for artistic ‘solutions’ that simultaneously offer viewers/participants an aesthetic experience and a practical tool to improve life. Panacea strikes a fine balance between naive optimism and an ironic critique on society’s increasingly untenable expectations of artists as: maker of beautiful objects, social reformers, economic revitalisers and catalysts for all things good.

Artists Walker and Bromwich have projects which include inflatable landscapes that speak to our current environmental situation as well as our predicted future. The inflatable Iceberg (below), however, seems to be a project of a different mindset. Instead of mourning the loss of glaciers and icebergs, you can purchase this inflatable toy (for a small fortune) and play with your own!

make an impression!

ninnetteAfter thinking extensively about the history of a thing and how garments could tell a story by their wear and tear, I wondered how our skin might tell similar stories about the things we put on it. Our skin could tell a story about the objects or materials it enounters throughout the day. Perhaps it could change colour or be embossed. Granted, it may only be temporary, but that’s kind of the beauty of it. Ninette van Kamp has done some interesting work with the idea of embossing the body with garments. She explores the possibility for mark making with seams, beading and embroidery.  Emily Jane Atkinson has also explored this notion with her Tattoo-me boots.

The tattoo-me boots have changeable linings each of the linings have a different pattern on, when worn they will eventually leave an imprint on the legs, thus creating a temporary tattoo. Fellow classmate and blogger Sheila was also looking at something similar.

I’m not saying that I find either of these examples practical in any way (in fact, the idea of sitting on beaded underwear all day just so I can have an embossed backside that no one might even see sounds painful and pointless). But I do find the idea of our garments making a mark upon us extremely interesting. In fact, I started to wonder who else was exploring the idea of designed objects making temporary marks on our bodies. I stumbled upon the Sun-Tattoo blanket by Yu-Chiao Wang which I think is both amazing and ridiculous at the same time:  amazing because of the concept, ridiculous due to the impracticality of it.

And in keeping with suntanning, for those of you who have left a poolside lounge chair with unsightly marks all over your body after a day of baking in the sun, Jenny Pokryvailo has designed a more aesthetically pleasing solution.  Her chaise lounge leaves a beautiful flower temporarily embossed in your skin, instead of the usual loung chair pattern. Again, I’m not as interested in the actual products as I am in the idea of leaving temporary marks on the body with objects or garmets that touch our skin for a period of time. I wonder if there is a way to apply this same idea to communicate a bigger idea, rather than solely for decoration.

Jacket for the lonely

Even though I am fascinated by wearable technology, I think it is also important to look at good design that does not heavily rely on computational devices or smart textiles: low-tech or no-tech. I am extremely interested in work that promotes social interaction, especially since much of the work out there encourages independence and self-sufficiency.

Designed by Aamu Song and Johan Olin, Takkiainen is a jacket for lonely people. It is designed to help the wearer to get in contact with others. Since we brush each other by with our clothes everyday while moving around in the city, clothing can be used as a medium for meeting people.

What if the other objects we brushed past each day also had surfaces that engaged us in a similar way? I wonder if there is a way to incorporate the same idea into a garment using some form of technology. Maybe its technology that is making us so isolated, but maybe, just maybe, we can use its power for good instead of evil. Who knows?

fashion victims

I am extremely interested in design work that makes the invisible visible. The Fashion Victims project from Agnelli Davide, Buzzini Dario, and Drori Tal from the Interaction Design Institute Ivrea does just that. They have designed a collection of garments that react (respond and change) according to the surrounding mobile phone calls. The act of making a phone call has become and invisible part of our lives. Where the physical consequences are less visible, the social consequences are becoming more and more apparent.

I love this project because it is visual feedback for something we might not otherwise keep track of. On average, we connect more with people electronically in a day that we do in person. Wouldn’t it be nice to be reminded to get off our phone and interact with someone in person every now and then?

“By producing a physical result with every call, the mobile phone is revealed in all of its pervasiveness and intrusiveness: its tendency to violate the private space we potentially have within the public context. Will your behaviors change once you’ll carry this bag around? And what about the people surrounding you? How many conversations will you be engaged into?” (excerpt from cite).

The bag serves in both a functional and fashionable way. The user can turn the interactive component on or off. Once the bag has reached a point where the user does not want it to be stained anymore, the mechanism can be pulled out, and the bag can function as just a bag once more (And the user can return to using there cell phone for obscene amounts of time, as per usual).

the history of a thing

Rips, tears, stains, holes and patches…. these are some of the marks left behind that tell a story for an item of clothing. There is physical evidence, wear and tear, a history. I wonder how this idea can be incorporated into wearables using technology. The History Tablecloth was created as part of the Equator Project with the Royal College of Art’s Interaction Design Research Department. The table cloth draws attention to the flow of objects over a surface in the home by signalling how long things have been left upon it. If an object is left on the table for a while, a glowing halo forms beneath it that grows slowly over time, until the object is moved. It uses electroluminescent inks printed onto a flexible substrate.

The project has me wondering: “what happens if an article of clothing can tell a story like this?” Besides the blemishes in the fabric, how else can a wearable display its history? What else can clothing tell us? What interesting secrets can articles of clothing keep? And how can we allow the clothing to express itself?