There are so many options already, and I’ve really only just begun!

A sketch has been settled on, and I’m in the process of making a pattern for the garment. The collar of the vest will be high enough to cover one of the wearer’s ears, while the other side can be scrunched down so that the ambient sounds of the environment can be heard as well.

After I make a pattern, I’ll sew together a quick muslin and work out the details. Simultaneously, we will be working out the details of our electronic components as well! So much to do, so little time. But at least its fun!

I designed the five rings that fit together to form a miniature iceberg landscape in a three dimensional rendering program, and then had the rings 3D printed. The next step is to cast them, make molds, and experiement with materials. Icebergs are fragile and disappearing, so I was thinking of using a fragile material like porcelain. Or maybe, since one day they might be compeletly gone, perhaps I should immortalize them in something like gold or silver. The idea of bronzing something to freeze it in time, and remember it forever (like a baby’s shoes I guess) also seems interesting.  I’ll let you know how they turn out!

Here is an example of a different take on the idea of “interactive” using textiles:This is the anonymous hugging wall from Keetra Dean Dixon. There are two arms sewn in into the wall, so that you can either be the hugger, or the hug-ee, depending on what side you stand, or what mood you’re in.

I like the annonymous way of connecting with people, and I love the spin on “interaction” and the use of textiles. If walls can “come alive” and give out hugs, in what other ways can we engage with our environment? And what if all normally hard, rigid surfaces (like walls) were suddenly made of fabric and textiles? Wouldn’t that be interesting….

I found some interesting work from other artists and designers also hoping to instill reminders in others:

This eraser called Meltaine by Skeet Wang via Yanko Design gets smaller and dirtier, diminishing with use to remind us that dirty snow is a contributer to global warming. I’m not sure the user would actually connect the idea while using the eraser, but I am intrigued by the concept all the same.

The Global Warming rug contrasts the comfort and softness of a rug with a thorny problem that is specific to our time. Following the age-old tradition of using rugs as a means for communication and a cultural record, NEL is portraying global warming in a scene that invites us to reflect on our impact on today’s world.

At least that’s the intent.

This hot tub from the Pancea Project also addresses icebergs and global warming through design.

Pancea is an expandable and travelling artwork currently being developed by Michael Pinsky, Zoë Walker & Neil Bromwich to function as a universal formula to cure social, economical and political problems. Pinsky, Walker & Bromwich search for artistic ‘solutions’ that simultaneously offer viewers/participants an aesthetic experience and a practical tool to improve life. Panacea strikes a fine balance between naive optimism and an ironic critique on society’s increasingly untenable expectations of artists as: maker of beautiful objects, social reformers, economic revitalisers and catalysts for all things good.

Artists Walker and Bromwich have projects which include inflatable landscapes that speak to our current environmental situation as well as our predicted future. The inflatable Iceberg (below), however, seems to be a project of a different mindset. Instead of mourning the loss of glaciers and icebergs, you can purchase this inflatable toy (for a small fortune) and play with your own!