Posts Tagged ‘pattern’

project process

As the long weekend rolls along, I’ve been madly trying to complete my project. Holly is working on the sound files, and I have been busy programming and sewing. We have established the heart rate ranges we would like to work with, and Holly is busy editing the “sounds” that go with each of those ranges.

The next step was to create a logic-flow chart, which would form the foundation for writing our program. I had some help here, along with the programming, from the lovely Bryan (thank you Bryan!). Once the logic was written, the rest was easy for Bryan, and started to make some sense for me.

The ’sketch’ for now works as follows:

- we can now give the sketch a random heart rate, and it will calculate which track the MP3 player should play, and successfully move to that track. Believe me, it sounds much easier than it actually is! The last step now is to successfully get the heart rate monitor interface (HRMI) to talk to the arduino, which is what we are having problems with now.

I’m quite well versed in sewing, so this project has been fairly straightforward in terms of creating the wearable portion. The trickiest part is always creating the pattern. Holly and I want to create a high-collared garment, so that the speaker can be embedded within the collar next to the wearer’s ear. The collar is going to be higher on the speaker side, and then scrunch down on the other side, so the wearer can hear the environmental sounds as well. The photos I’ve posted show the beginnings of patterning, with a paper and mannequin mock-up, and then me wearing the very crude garment that I’ve thrown together, before the tailoring and adjustments I’ve made now.

fashioning a garment

In addition to the electronic aspect to the project, there is also the textile/wearable component. Holly and I went to check out fabric and notions, and gathered a lot of inspiration for the form of the garment. We looked at fasteners, buttons, tubing and a bunch of stuff we don’t even know the names of, and came up with some great ideas for detailing.

A sketch has been settled on, and I’m in the process of making a pattern for the garment. The collar of the vest will be high enough to cover one of the wearer’s ears, while the other side can be scrunched down so that the ambient sounds of the environment can be heard as well.

After I make a pattern, I’ll sew together a quick muslin and work out the details. Simultaneously, we will be working out the details of our electronic components as well! So much to do, so little time. But at least its fun!

technological ornamentation

aurora_skin3My first love in this life has always been jewelry. That love affair couple with my new-found interest in wearable technology has led me to find some very exciting examples of jewelry that incorporate elements of technology. Kyeok Kim’s Aurora project uses  patterns of light projected from pieces of jewelry onto the body as ornamentation.  ‘Aurora’ highlights the relationship between different pieces of jewelry, by its nature the pieces interact with the another.

To operate the decorative light, one must gently move the ring (containing a magnet) towards the main jewelry piece. This project is interesting to me because it expands on what the idea of jewelry is as ornamentation, making it more than just a piece of something that you decorate your ear, neck or wrist with.

aurora_skin2 aurora_skin

make an impression!

ninnetteAfter thinking extensively about the history of a thing and how garments could tell a story by their wear and tear, I wondered how our skin might tell similar stories about the things we put on it. Our skin could tell a story about the objects or materials it enounters throughout the day. Perhaps it could change colour or be embossed. Granted, it may only be temporary, but that’s kind of the beauty of it. Ninette van Kamp has done some interesting work with the idea of embossing the body with garments. She explores the possibility for mark making with seams, beading and embroidery.  Emily Jane Atkinson has also explored this notion with her Tattoo-me boots.

The tattoo-me boots have changeable linings each of the linings have a different pattern on, when worn they will eventually leave an imprint on the legs, thus creating a temporary tattoo. Fellow classmate and blogger Sheila was also looking at something similar.

I’m not saying that I find either of these examples practical in any way (in fact, the idea of sitting on beaded underwear all day just so I can have an embossed backside that no one might even see sounds painful and pointless). But I do find the idea of our garments making a mark upon us extremely interesting. In fact, I started to wonder who else was exploring the idea of designed objects making temporary marks on our bodies. I stumbled upon the Sun-Tattoo blanket by Yu-Chiao Wang which I think is both amazing and ridiculous at the same time:  amazing because of the concept, ridiculous due to the impracticality of it.

And in keeping with suntanning, for those of you who have left a poolside lounge chair with unsightly marks all over your body after a day of baking in the sun, Jenny Pokryvailo has designed a more aesthetically pleasing solution.  Her chaise lounge leaves a beautiful flower temporarily embossed in your skin, instead of the usual loung chair pattern. Again, I’m not as interested in the actual products as I am in the idea of leaving temporary marks on the body with objects or garmets that touch our skin for a period of time. I wonder if there is a way to apply this same idea to communicate a bigger idea, rather than solely for decoration.

the history of a thing

Rips, tears, stains, holes and patches…. these are some of the marks left behind that tell a story for an item of clothing. There is physical evidence, wear and tear, a history. I wonder how this idea can be incorporated into wearables using technology. The History Tablecloth was created as part of the Equator Project with the Royal College of Art’s Interaction Design Research Department. The table cloth draws attention to the flow of objects over a surface in the home by signalling how long things have been left upon it. If an object is left on the table for a while, a glowing halo forms beneath it that grows slowly over time, until the object is moved. It uses electroluminescent inks printed onto a flexible substrate.

The project has me wondering: “what happens if an article of clothing can tell a story like this?” Besides the blemishes in the fabric, how else can a wearable display its history? What else can clothing tell us? What interesting secrets can articles of clothing keep? And how can we allow the clothing to express itself?